“But for me - and I think for the board - there was never a loss of faith. “Were there hurdles? Were there obstacles? Were there problems to solve? Yes,” said academy Chief Executive Dawn Hudson. ![]() almost every delay led to something way better.”įor an academy that has weathered the #OscarsSoWhite controversy and continues to wrestle with declining viewership for the Oscars telecast, the museum’s opening is not just a triumph of logistics but also a chance for the group to continue its attempts to celebrate the art form of cinema while acknowledging some of the industry’s failures. “When you think about how complex something like this is - with creative differences of opinion and just the logistical challenges of building in a major city - we should have expected a lot of delays,” said Sarandos, who is chairman of the museum’s board of directors. 30, Sarandos believes, along with other key players in the effort, that the long-awaited cathedral of movies is landing at just the right time - perhaps when the film industry needs it most. Now, with the Academy Museum of Motion Pictures set to open its doors Sept. Like a troubled movie production, it seemed to some in danger of ending as an expensive, heartbreaking flop. Bringing it to fruition proved a long and at times tortuous process - beset by cost overruns, construction delays, competing visions, infighting, a pandemic and a racial reckoning. He was hardly the first to feel that way.Ī film museum had been a seemingly chimerical dream within the Academy of Motion Picture Arts and Sciences virtually since its founding in 1927. What the city sorely needed, Sarandos felt, was a museum dedicated to movies. “You could do a random studio tour here and there but basically there was Universal Studios and Hollywood Boulevard - that was Hollywood.” “I was shocked that there was no Hollywood to see,” says Sarandos, Netflix’s co-chief executive and chief content officer. No showcase for its most precious artifacts. ![]() No single place where you could take in the sweep of its storied history. When Ted Sarandos moved to Los Angeles 25 years ago, he was surprised that the film industry - an industry he would soon transform as a top executive at Netflix - had no real center.
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